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Like 2017’s Big Little Lies, Sharp Objects is directed in its entirety by the Canadian filmmaker Jean-Marc Vallée and adapted from a book—in this case, from the debut novel of the same name by Gillian Flynn, the author of Gone Girl. But if Big Little Lies was soapy melodrama elevated by superb performances and Vallée’s extraordinary visual eye, Sharp Objects is Southern Gothic for the 21st century, probing the grim heritage and often squalid reality of small-town America. In the hands of its showrunner, Marti Noxon, and Flynn, who wrote several episodes, the eight-part series is told with literary invention. It contains so many fascinating, grotesque details—children clutching pistols, floors inlaid with elephant tusks, a detective carrying a pig’s head in a paper bag—that you almost forget the central mystery: Someone in the fictional town of Wind Gap, Missouri, is killing teenage girls and extracting the teeth from their corpses using pliers. Original release


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Again, Beatty implies indirectly that he was once in a situation similar to Montag's and that he chose to remain a fireman. But it's clear that Montag will make a different choice. Unlike everyone else in this society, Montag lets himself remain unhappy, instead of drowning his feelings in entertainment or drugs.


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PHOTOS: The 100 Best Shows on TV Right Now Amy Adams, Sharp Objects Photo: Anne Marie Fox/HBO Shanghai Jiao Tong University


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• ^ "Montrealer Jean-Marc Vallée's Sharp Objects snags 8 Emmy nominations". Montreal Gazette. July 16, 2019 . Retrieved July 20, 2019. 66.91


• The 15th Anniversary U.S. cover by Kazu Kibuishi depicts Hagrid and Harry with only four fingers on their right hand. This is just the sort of provocative stuff you’d expect from Flynn’s work. While most of us are satisfied with inserting corrections every time someone says the word ‘mankind’, here’s Gillian Flynn, two steps ahead.


the most miserable little shack you could imagine. One thing was


• ^ Andreeva, Nellie (March 7, 2017). "Patricia Clarkson To Co-Star In HBO's Amy Adams Series 'Sharp Objects '". Deadline Hollywood . Retrieved March 7, 2017. Vallée is attuned to detail, to touch, to sensation. In a flashback, a teenage Camille (Sophia Lillis) gently scrapes one of Adora’s eyelashes down her cheek. Later, an adult Camille does the same thing to her own skin with a sewing needle. Adora likes to run her fingers gently over Camille’s curls in a gesture so weighted that it feels like a slap. Vallée lets his camera linger on certain sharp objects (a serrated knife, a metal screw) in Camille’s vicinity to convey how obsessively she’s thinking about them. But other things, the series argues, can be sharper and more damaging. There are the words that get attached to women in Wind Gap who don’t fit into certain archetypes, as Camille tells the Kansas City detective (Chris Messina) investigating the murders. There are the stultifying limitations of the town itself, which offers three career paths: pig slaughtering, domestic work, or raising children.


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" The Potters smiled and waved at Harry and he stared hungrily back at them, his hands pressed flat against the glass as though he was hoping to fall right through it and reach them. He had a powerful kind of ache inside him, half joy, half terrible sadness." —Harry looking at the Mirror of Erised Instead, their killer was twisted little Amma—just 13 years old in the book—who lulled the girls into a false sense of security and then strangled them. Their teeth, horribly, were pulled so that Amma could use them to pave the floor of her dollhouse’s replica of her mother’s ivory-tiled bedroom. (The book includes another sickening detail: Amma uses the hair from her final victim to weave a tiny rug, which matches the exact shade of one in Camille’s old bedroom.)


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• The Poetry Foundation On July 8, 2014, it was announced that Blumhouse Productions and Entertainment One would be developing and producing a drama based on the debut novel from Gillian Flynn. Marti Noxon would serve as the showrunner, writer and executive producer, while Jean-Marc Vallée would serve as the director and executive producer. [13]


As it turns out, I had a brief encounter with Ms. Flynn’s dark side in real life about two years ago. I came away thinking her characters come by their edginess honestly. It happened when we were living in Chicago. I’d taken to looking up semi-famous residents on the internet and then jogging by their addresses, mostly just to see what their places were like, but also on the off-chance of spotting them in person. I knew where the Blackhawks’ Jonathan Toews lived, John Cusack’s building was an easy trot away, and I could locate plenty of others from business, politics, sports and the arts. Anyway, it was a cool evening in Flynn’s Lincoln Park neighborhood. I’d been by her place before—very nicely kept, tucked away behind lots of trees and a fence. In the leafless part of the year you could get a view of the house itself. That night I saw a light on and heard music, so even though I knew I probably shouldn’t, I decided to stop for a closer look. I had my hands on the iron rails of her fence, peeking in, when all of the sudden from out of nowhere something grabbed hard at my loose sleeve. It was a large, no-nonsense dog that looked to be somewhere on the Doberman - Rottweiler spectrum. Of course I pulled back right away, but he’d gotten his teeth stuck in the cloth and wasn’t about to let go. I kept yanking to no avail. My heart rate, already elevated from the run, must have doubled again. The dog, meanwhile, was growling loudly enough that Flynn came out to investigate. I wished she would have called the brute off right away, but instead she said with imposing authority, “What the hell are you doing here?” 9


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132 Workers begin dressing up the backyard of Adora's home for the Calhoun Day celebrations as Amma discovers Camille's article about the murders. Angry, Amma steals Camille's clothes in the dressing room when shopping for an outfit and Camille is forced to reveal her scars to Amma and her mother, who is hurt that she did it out of spite. A guilt-ridden Amma soon presents Camille with a dress and apologizes. During Calhoun Day, Richard notices Bob Nash heavily drinking at the party while Ashley confronts Camille for not including her in the article. Adora notices Camille talking with Richard and takes him on a private tour of the house where she tells him that Camille is dangerous. During the play, a fight emerges between Bob and John and a frightened Amma flees. The guests go on a search for Amma, but Camille finds her injured in the shed and brings her home. Later that night, Adora explains to Camille why she never loved her. A distraught Camille flees and arrives at Richard's motel and has sex with him.